DAVID BOWIE:
The cliché about David Bowie says he's a musical chameleon, adapting
himself according to fashion and trends. While such a criticism is too glib,
there's no denying that Bowie demonstrated remarkable skill for perceiving
musical trends at his peak in the '70s. After spending several years in the
late '60s as a mod and as an all-around music-hall entertainer, Bowie reinvented
himself as a hippie singer/songwriter. Prior to his breakthrough in 1972, he
recorded a proto-metal record and a pop/rock album, eventually redefining glam
rock with his ambiguously sexy “Ziggy Stardust” persona. Ziggy
made Bowie an international star, yet he wasn't content to continue to churn
out glitter rock. By the mid-'70s, he developed an effete, sophisticated version
of Philly soul that he dubbed "plastic soul," which eventually morphed
into the eerie avant-pop of 1976's “Station to Station.”
At the dawn of the '80s, Bowie was at the height of his powers culminating
in his blockbuster dance-pop album “Let's Dance” in 1983.
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